At this point it is a good idea if you have not done so already to make some notes on your Pattern Record Card regarding your order of construction for your garment, especially useful if you plan to make this again in the future. By doing this you will be running through in your mind how you want the final detail to look and what is the best order to do this in, by doing this you are less likely to forget something. You can find my completed Pattern Record Card on the Downloads Page which you might want to use as a starting point.
With all pieces of fashion fabric cut out the construction is very straight forward.
At this point you have your pattern referenced on the silk organza underlining, however this is not projected to the anterior side of the fabric so a little thread tracing is in order. We did thread tracing on the Test Garment by machine but the fashoin fabric needs to be treated with a little more finese so this is going to be done using a running stitch by hand. This will all be removed later in the process so you don’t need to use knots or back stitch. The size of the stitches are really personal choice and to some extent are stipulated by the fabric that you are using.
The thread tracing should be done around each piece on each sewing line don’t worry about the notches you can see them marked on the silk organza and this will be sufficient, its better not to make too many unnecessary holes in the fabric for these.
You can see here that I have started thread tracing on this piece but I have also thread traced the hem fold simply because I did not cut my organza long engouh and I want to hold this in place, it will also position my tacking line for this hem fold at a later date.
Here is the Front Skirt Panel and Bodice side panel thread traced to have a look at.
Once all pieces have been thread traced then everything can be tacked and joined together ready for a final fitting.
The thread tracing will help this go along much faster as you will be able to join the pieces better by touch, it really helps with the pinning and tacking.
Starting with the skirt panels pin them together joining notches and then tack the pieces together using a smaller stitch than the thread tracing as this will need to hold the pieces together during the fitting. I use a different colour this time a red thread to match the fabric then if I decide not to pull it out it will be fine to leave in there.
Here you can see one sewn pinned in the foreground and behind that another seam already tacked using red thread.
Here is a photo of the skirt panels all tacked together with the huge and wonderful seam allowances spilling out which will be left in place until after the fitting, just in case any of this fabric is needed, which in this case it really was even after doing the Test Garments to get a more perfect fit using this fabric.
…….and just because I really like this photo here is a photo of the other side!
For the final fitting on this dress I fitted the skirt and the bodice seperately and the waist panel would come along for the ride with whatever decisions were made I did not join the waist panel to the bodice or the skirt.
The client and I both agreed to add in a little extra from the generous seam allowances on both the bodice, waist panel and skirt for a little more comfort and to allow for sitting to increase the side seam by 3/8” and the centre back by just over 1/4”. But be careful with this assessment, don’t forget that you have lots of seam allowance sitting inside taking up lots of space especially if you are using a thicker fabric. As for the rest I determined that I was really happy with the fit even though it is a little tricky with all the seam allowances all over the place. If you are in any doubt and feel it necessary and that you wont jeopardise the fit then trim the seam allowances down a little if you want to get a more accurate picture.
Here you can see the front skirt which will look a little unpressed at this stage but you are starting to see it all come together now.
Here is the side view and you can see how I have unpicked the tacking and added in the extra fabric needed.
At this fitting you should now be fine tuning, hopefully at this stage there is nothing too drastic happening. If you have made any alterations remark the pattern pieces with the new sewing lines and this could be done in another colour to keep track of what you are doing and most importantly consider writing these alterations back to your master pattern pieces.
Now you should be more confident with the fit so sewing should be pretty straight forward. You could stitch the garment by hand however you are going to have lots and lots of hand stitching shortly so its really not necessary so if you have a machine then stitch all of the seams.
Starting with the skirt pieces for no particular reason stitch the side seams, considering any alterations and following the correct sewing lines. Then check both sides of the stitching on the seam to ensure that you have been accurate (if not unpick and restitch), then remove the thread tracing and tacking on the sewn seam only. If you don’t remove the tacking then this may affect the accuracy of the pressing.
As you sew press each seam, sandwich press on both sides then open the seam and press open using a pressing ham for curves then carefully with a pressing cloth press the anterior side of the seam.
Review Auxiliary Reference Information - Sewing - Using an Iron if you would like a refresher on how to do this.
Then stitch the Bodice pieces keeping the Centre Back unsewn as this is where the zip is to be positioned.
Be careful of the Princess Seam in the bodice it will probably be the hardest seam to stitch so make sure you have your concentration head on. It may may need a little clipping to get the curve accurate, be careful not to clip too far just clip as minimally as you feel you need to get the result before sewing then control the clipping a little more as you press the seam. No doubt it will slip a little and you may never get it perfect so determine how close to perfect you are willing to accept. Here you can see how I have also used the quilters pins to ensure that there is minimal slippage during the stitching
Just for fun here is the machine at work.
And the sewn seam.
Here it is on the right side.
And the inside after snipping and pressing. I don’t think you need to be too precious about the snipping and the shapes you make as the seams allowances are being splayed on either side of the seam, bu the idea is to cut only what is necessary and if you can remove a little bulk at the same time so the cut areas don’t have to sit on top of each other through the curve then that can only be a good thing. Just be careful how close you get with the snips the worst thing would be to cut too close to the seam and have this cut visible on the anterior side. You can see in this photo that I have not needed to get any closer than 1/4” to get the fabric laying how I want it with a little pressing using steam and cohersion it’s a perfect shape.
Don’t forget the Waist Panel, ensure that the alterations were made if you have any and then sew up the two seams.
Prior to seeing on the Waist Panel to the bodice and the skirt it is worth finishing some of the seam allowances while you have access and to help reduce a little bulk. This process can take time but it is one of my favourite parts of making a garment, especially delightful in this dress a little remeniscent of sewing a corset and although this is all going to be hidden away with the lining I know it is there it’s my secret pleasure!
Firstly I overlocked my edges down to just over an inch (cutting with the machine) and there is no need to be precious about this trying to get all the seams the same size, use what you have and make it work. Now I would usually do this by hand but as this fabric frays quite a bit and the extra bulk of the thread does not cause a problem it’s a simple decision to make.
Now before you begin just consider that there will be lots and lots of hand stiching. To make life easier it is well worth the effort of wax coating your thread, it seems like and extra step but believe me the time you will save with tangled thread and knots will be more than worth the effort of doing this.
Get your thread and run it through some beeswax a couple of times, although it might not look like it is coated it will be. Place the waxed thread in some folded muslin or cotton and iron it. This melts the wax into the threads and creates a thicker more stable thread for you to work with. Wrap your waxed thread on a spare bobbin to keep it safe until you need it and prepare as many threads in this way as you can stand to in one sitting. When I do my household ironing I will do some of these at the end and keep them stored for future use, so I always have black waxed thead to hand.
Once cut down and stitched the seam allowances can be locked into place using a herringbone or catch stitch and as you can see I have used what I would call medium length stitches, just because I like what they look like but you could get away with much bigger stitches to hold the seam allowances down. You must be extra careful with the catch stitching only to go throught the underlining and not to take the needle to the anterior side. If you catch any threads of the fashion fabric you will see them on the anterior so check every stitch if you have to! Yes unpick if you notice this at any point.
Here you go here is another one!
Here is the finishing on the Princess seam which is a little more tricky but follow the curve and try to capture the snipped pieces and hold them down.
Here the Bodice hase been sewn to the Waist Panel then pressed and snipped a little to relax the seam allowances (important to do on this band) you can hear the fabric sigh as you snip into it and relax into place. This seam will also get caught down.
Then joined to the skirt. Yummy, I truly know that Threadelicious was the right name for us when I sew garments like this, I think I was literally drooling over the inside of this dress!
Here is a long shot for good measure.